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Sep 03 2017
Book review: Chester AD400-1066 by David Mason
I couldn’t resist more Chester history, so now I am reading Chester AD400-1066: From Roman Fortress to English Town by David Mason. I’ve just read Jane Laughton’s book on late medieval Chester covering the period 1275-1520 (review here), and read David Mason’s book on Roman Chester (review here) towards the end of last year. This book fills most of the gap between those two books, but not quite.
Evidence for the early part of the period is sparse, particularly in the earlier years between about 400AD and 600AD – it isn’t known as the “Dark Ages” for nothing. During this time, after the Roman withdrawal, no durable mass-produced items such as coins or pottery were being produced. Elsewhere, in nearby Wroxeter, archaeological evidence suggests that the early Britons built wattle-and-daub huts within substantial Roman buildings. In Chester there is little such evidence. The various Roman buildings in Chester would have decayed at different rates. The baths under the now Grosvenor Shopping Centre had metre thick walls and would have only fallen down slowly, whilst the barracks in the north east quarter of the city were less substantial. At the barracks there are black deposits, possibly pigeon droppings, deposited between Roman and later date-able layers. It would seem that for most of the period from 400AD to 900AD Chester was a Roman ruin with some desultory farming and living taking place within its walls.
A little after this earliest period to 600AD there are are some written records, such as the Anglo-Saxon Chronicles, and Bede’s History which were written some time – dozens, even hundreds of years – after the event. There are songs and poems from Wales, transmitted orally, which refer to the period.
Chester enters the historical record of the period with the Battle of Chester in AD616, for which there is archaeological evidence in the form of a mass burial at Heronbridge, just south of the city. Here 120 skeletons were found dating to the same period as documentary evidence for the battle and with wounds consistent with dying in battle.
St John’s church, founded in 689AD sits next to the old Roman amphitheatre from whose remains it was built, although there is some suggestion that Christians were martyred at the amphitheatre, so it wasn’t simply a case of being unwilling to carry heavy stones further than necessary!
In common with the Roman period, and the later period covered by Laughton’s book Chester holds a key strategic position between Wales and Ireland on the one hand and the rest of England, variously inhabited by Dane’s and Anglo-Saxons on the other. I found some of the discussion here confusing with what I would refer to as “Celts” from Wales, the West Country, Scotland and Ireland described as “British” and those from Mercia and Wessex as “English”.
The final third or so of the book is devoted to Chester as a burh one of the network of fortified towns set up by King Alfred – Chester was established in 907AD. It’s at this point that Chester appears to turn into a proper town, and a moderately important one at that. In the years after its establishment as a burh Chester had “moneyers” – effectively a mint, twice the size of London. This is reflected in the discovery of coins minted in Chester being found in Ireland and around the Irish Sea. The establishment of the burh mandated taxation and physical labour to build its defences and bridges – it’s likely in this period that the modern circuit of the walls was constructed. There is more archaeological evidence from this period and the start of some form of systematic written records, rather than the non-contemporaneous writing alluding to previous periods.
It is during the period after the establishment of the burh that King Edgar holds his coronation in the city, in 973AD. By the time of the Norman conquest and subsequent Domesday census Chester had 431 houses and a further 56 belonging to the Bishop (presumably of St. Werburgh’s church which was founded by in Edgar in 758AD). It also had a system of laws and taxation detailed in the Domesday book.
The book ends with Chester suffering a setback in the years after the Norman conquest as a result of its part in rebellion against the incoming King William.
Chester AD400-1066 is a fairly slender volume but more readable than Roman Chester. As a result of the sparsity of the archaeological and written records for the period it is wider in its scope than books set before and after this period.
Aug 28 2017
Book review: Life in a late medieval city by Jane Laughton
I’m back to local history with my next review. A while back I read Roman Chester by David J.P. Mason. I have his book Chester 400AD –1066AD on my “to read” pile but instead I am jumping forward to Life in a late medieval city: Chester 1275-1520 by Jane Laughton.
The book starts with some definitions and background. How do we define a city? What was the hierarchy of settlements in Cheshire and indeed the rest of England and Wales? This information can be inferred from various charters, and the like.
The book is laid out thematically, so having covered definitions of towns it then goes on to provide an overview of the historical background to the period. This is generally revolves around what kings were doing (invading Wales, crushing rebellions) but also mentions the rise and fall of Chester with famine and the Black Death.
Chester was an important location in Roman times, acting as a forward base for the Roman invasion of northern England and a potential jumping off point for Ireland. So it was in the late medieval period. The start of the time span of the book coincides with the time Edward I’s invasion of Wales when Chester was used as a garrison for the invasion force.
The next chapters cover the topography of the city and the built environment. The central streets of Chester, Eastgate, Bridge Street, Northgate and Watergate play a key part here – as they do to this day. In the period covered by the book these streets provided the key administrative divisions of the city, when citizens interacted with the bureaucracy they were labelled with their name and home street.
I am intrigued by the Pentice, which was a lean-to structure built against St Peter’s church at the Cross in the centre of the city which served as the base for administration for many years (you can see a picture of the Pentice on this page) – it was finally demolished in the early years of the 19th cenutry. The “Rows” are a key feature of the built environment even now, as they were in the late medieval period. For those that haven’t visited Chester the Rows are an arrangement whereby walkways runs through the first storey of the shops on Eastgate, Bridge Street, Watergate and Northgate (to a limited extent). Towards the street from the Row there is a flat, slightly sloped “stall” which was used to lay out goods in the past, beyond which is open to the street at first storey. Opposite the stalls are shops, and beneath the “Rows” are undercrofts. You can see pictures of the rows here, they haven’t changed a great deal over the years.
Laughton makes it clear that the book is based on the records of courts and taxation within the city. So we know, for example, that the tanners in the city worked outside the Eastgate because there are court records of them being charged with blocking the city ditch with their cess pits. We know of the types of trade taking place in the city through taxation, rental and customs records.
Sometimes the relationship with the underlying records feels a bit direct. We are introduced to messuage with no explanation, a messuage is a dwelling and its land. And also pavage, murage and even pontage – these are taxes raised for the purpose of building and maintaining roads, walls and bridges respectively. The portmote, crownmote and piepowder courts are similarly introduced with little ceremony. Portmote are essentially courts in port town, crownmote are courts which cover the most serious offences and piepowder courts cover justice surrounding traders coming in from outside the city. Similarly a range of now obscure occupations such as corviser, souter, barker are introduced with little explanation. On the plus side I have learnt a host of new words for which to find application!
The book goes on with chapters on the hierarchical society and urban government. There is some overlap here with men moving through positions in the government of Chester, more rapidly if they are nobility.
This history of Chester is quite distinct from my readings in the history of science, the period it covers lies before the main developments in Western science. Copernicus (1473-1543), Mercator (1512-1594) and Galileo (1564-1642) are the earliest I’ve read about, most of the history of science I’ve read is post English Civil War. Science does have an equivalent to the administrative records in this book but they are impersonal records of the locations of stars and planets, and the like. Reading Life it strikes me that Chester (and undoubtedly the rest of England) had quite complex systems of law, ownership, trade and so forth from a very early time – science is something of a latecomer.
It feels like a book a bit more for the specialist than the general reader but I found it pretty readable and enjoyed the link it gave me to the medieval inhabitants of the city I live in.
Aug 13 2017
Book review: The Comet Sweeper by Claire Brock
A return to women in science in this post where I review The Comet Sweeper: Caroline Herschel’s Astronomical Ambition by Claire Brock, a biography of a woman who discovered comets and nebulae and published a catalogue of astronomical objects in the later years of the 18th century. For scientists the name “Herschel” will not be unknown. Caroline Herschel’s brother William discovered Uranus, and was paid as an astronomer by King George III. Her nephew, John was also well known as a scientist. However, relatively little has been written about Caroline.
The Comet Sweeper is based substantially on the autobiographical writing of Herschel. However, she was sufficiently well-known at the time to be referenced elsewhere, and indeed later in her life was bestowed with various honours and medals for her astronomical work.
Herschel was born in Hanover in 1750, her father Isaac was a musician and very much a self-taught man – something he passed on to Caroline. Anna, her mother, gets a less than sympathetic treatment from her daughter and consequently this book. For her early years Anna treated Caroline as a servant, and stopped her education as soon as it appeared it would help her leave the Herschel household in Hanover. She was finally given a means of escape when her brother, William, invited her to Bath to work in music with him in 1771. She had no previous training in music and put herself assiduously to learning what she needed to know. William Herschel was earning up to £400 per year from music lessons and the like when he invited his sister to join him. It seems that Caroline became a significant musician in her own right, at least until her brother dragged her into astronomy.
This is something of a theme through the book, Caroline Herschel is clearly very capable and when given the opportunity can excel in whatever she turns her hand to. But the choices she has are limited. In the first instance her mother controls what she can do, then her brother – switching her from music to astronomy with little regard for her own wishes.
In astronomy Herschel started by assisting her brother in the workshop – at the time, to get the best telescope, you built them from scratch yourself. She supported him in his observations but she also carried out observations on her own. The “sweeping” of the title is the systematic scanning of the night sky with a telescope to identify static features such as stars and nebulae but more specifically to find comets. To a degree the discovery of nebulae was incidental to the main task of finding comets, nebulae were easily confused with comets so recording their locations was an essential part of finding comets. The Herschel’s work followed, but only by a few years, the publication of Charles Messier’s first catalogue of diffuse celestial objects in 1774.
As well as discovering comets and nebulae Herschel was also responsible for publishing Catalogue of Nebulae and Clusters of Stars in 1798, which built on the earlier work of Flamsteed. Ultimately this became the New General Catalogue of stars. Amateur astronomers will know this work, Messier’s catalogue provides information on the 100 or so most prominent objects whose identifying numbers are prefixed with an M- beyond this are the NGC objects – from the New General Catalogue which is the descendant of Herschel and Flamsteed’s catalogue.
Herschel was honoured in her own lifetime with a gold medal from the Royal Astronomical Society, as well as honorary membership and medal from the King of Prussia, at the age of 96. She was the first woman to be published in Philosophical Transactions the journal of the Royal Society. These awards did come until quite late in her life although she was paid £50 per annum by King George III as an assistant to her brother. He was paid rather more, £200, but notably rather less than he earned as a musician.
I found the broader insight that The Comet Sweeper gave into the lives of Georgian women was interesting. Women did not have formal positions within the scientific community of the time but they contributed as wives, sisters, daughters. At the time there was little in the way of formal, paid, scientific community – it was very much a gentleman’s club but there was a place for women in it although not necessarily of equal status.
This was to change later in the 19th century when science became institutionalised, as a result women were excluded by, for example, not being able to receive degrees or even attend lectures at university.
The Comet Sweeper is not a long book, it is readable and casts an interesting light on women in science in Georgian England and the specific contributions of Caroline Herschel.
Aug 01 2017
Book review: Inventing Temperature by Hasok Chang
My next read is more academic in character, Inventing Temperature: Measurement and Scientific Progress by Hasok Chang. As an undergraduate chemical physics student, temperature was important to me. On the chemistry side of the equation, increasing the temperature of a reaction by 10 degrees doubles its rate. Statistical mechanics forms the core of chemical physics, and this is very much about temperature and equilibrium. In a laser, light is emitted when population inversion is achieved which some describe as negative temperature. It’s fair to say that measuring temperature is one of the core activities of any physical scientist, even if all you are trying to do is keep your experiment at a fixed temperature.
The book starts with a discussion of the fixed points used in thermometry. For the familiar Celsius temperature scale these are (crudely) the melting point of ice and the boiling point of water. The temperature difference between these two fixed points is divided into 100 equal divisions, and the scale can be extrapolated above and below these fixed points.
But this isn’t so easy, it isn’t necessarily a given that ice always melts and water always boils at the same temperature – superheating and supercooling are things that will dog you, particularly if you take great care with your experiments! In a theoretical sense we now know that melting and boiling happen at fixed temperatures under fixed conditions. Experimentally exactly how you set your water boiling and your ice melting can change the temperature at which they appear to melt or boil. In the early days of temperature measurement these questions were all consuming and took many years to resolve.
Another question is “what does it mean to measure temperature"?”. Chang proposes a Principle of respect in the development of measurement and also epistemic iteration. That is to say that the development of the measurement of temperature is guided – respects – our perception of temperature but is not dominated by it. Sometimes our perception of temperature is wrong, epistemic iteration allows us to correct that perception or at least make our measurement correct. If you’d like an example of an incorrect temperature perception try testing the same water having run your hand under hot and cold taps – we perceive a different temperature even when there is no difference.
The next step in the process of measuring temperature is trying to make a linear scale which does not depend on the precise nature of the thermometer you use. This is difficult to achieve without having a clear idea of what temperature is. Linked to this is the problem of what the best “working fluid” is for your thermometer – although we are familiar with mercury and alcohol thermometers, from a scientific point of view “air thermometers” are the best behaved. To a 20th century physicist this is unsurprising but in the late 18th and early 19th century this was not obvious. Furthermore, air was more difficult to work with.
After considering the problem of the linearity of the temperature scale Chang turns to temperatures far above and below the fixed points of the scale, below where mercury freezes and above where glass melts. The challenge at low temperatures was attaining low temperatures, the challenge at high temperatures was finding any sort of device that could survive and keep working at high temperatures. For a long time a pyrometer invented by Josiah Wedgewood was used which relied on measuring the shrinkage of clay pellets as a measure of temperature. Joining this temperature scale to one measured at lower temperatures with conventional thermometers was hard.
Finishing the specific sections on measuring temperature is a chapter on theoretical considerations, focusing on the work of Joule and Thomson. Who established an absolute temperature scale, and under what circumstances a gas could be used to measure such a scale. Epistemic iteration plays a part here as the combatants need to find a concrete system to demonstrate an abstract principle, and show that their concrete system is close to being abstract!
The book ends with two chapters on more general matters in the history and philosophy of science. The first of these is on Chang’s view of how science progresses. The second is on what Chang calls “complementary science”, how the history and philosophy of science could lead to an increase in scientific knowledge. In my view scientific progress would likely be improved if students were taught better in the history of their subject.
I found this book fascinating, as far as I can recall I came across a much abbreviated form of some of this work during my A-levels when I wasn’t really able to appreciate the scale of the challenge in the now simple act of measuring temperature. Once at university measuring temperature was a given but I gained a more sophisticated understanding of what temperature meant – an understanding that was based on theories developed in the late 19th century.
Jul 09 2017
ARK exhibition at Chester Cathedral
I’m not quite at the “Don’t know much about art but I know what I like” level of art appreciation but I’m not that far off. So it feels a bit odd to be taking to the airwaves to rave about a sculpture exhibition at Chester Cathedral. The exhibition is called ARK and runs until the 15th October. (Details of ARK here). It’s free to enter although we bought a map for £2 and a catalogue/guide for £12 which I count as exceedingly good value for money.
The first hint that Something is Going On is the piece outside the normal cathedral entrance: what appears to be a life-sized seventies style ceramic model of a Shire horse, pulling a cart containing two concrete marrows which look remarkably like the BFG’s snozzcumbers. It’s actually Perceval by Sarah Lucas.
As you round the corner and are faced with three giant egg-shaped structures. Fructus, Phyllotaxus and Corpus by Peter Randall-Page. I saw these being delivered off the back of the lorry with a crane on my way into work. My picture shows two of the three.
From there it is into the cathedral through a path less-used which is actually rather pleasant, the normal entrance takes you through a winding path past the refectory whilst the exhibition entrance takes you directly into the south transept of the cathedral. Either side of the entrance are re-workings of guarding lions. Comme des Lions by Olivier Strebelle.
As you go in the first “sculpture” that will catch your eye is most likely Damien Hirst’s False Idol.
Even a philistine like me recognises the names of some of the sculptors featured in this exhibition, as well as Damien Hirst there are pieces by Anthony Gormley and Barbara Hepworth amongst many others.
One of the exciting features of the exhibition is the placement of the pieces in the cathedral, what objects they sit alongside. Perhaps this is best illustrated with one I only spotted when I was reviewing my photographs at home.
This is Charlotte Mayer’s “Voyager”, it looks like an ammonite to me. In the background you can see a red guard rope coiled to reflect the shape of the sculpture! I never thought I’d laugh at a sculptural joke. As we went around Lynn Chadwick’s Rad Lad IV was the most obvious example of this placement:
The sculpture in the foreground picks up the fluting of the rather fine Victorian radiator in the background. Radiators were, apparently, the original inspiration for the piece although Mrs SomeBeans and I were both reminded of bacteriophage viruses.
I like the way Ann Christopher’s Line of Silence picks up the colour of the fresco behind it.
The theme of the exhibition is animals, hence the name ARK, I must admit this didn’t strike me as I went around. Perhaps this is through frequent exposure to Chester Zoo which means I anticipate that every attraction should be filled with animals. Anyway, we liked the Aardvarks (mother and child) by Anita Mandl, as we like the aardvarks at the zoo.
There are quite a few zebras to be found, as well as gorillas, birds, goats, cats…
Another theme is reflections, a number pieces are highly reflective and the cathedral has some excellent features to reflect. This is William Pye’s Coraslot, reflecting a stained glass window.
I think this is Bryan Kneale’s Curlew, reflecting some stonework in the cloisters. It might be Plover.
At one point I thought “who’d have thought of putting art into a cathedral”, thereby wilfully ignoring some 1500 years of the history of art in Western culture!
An odd thing about the exhibition is the way it makes you look at the cathedral in a different way, this is the view down the knave.
Normally this view is “spoiled” by ranks of chairs for the congregation but here it is largely empty with pools of light falling on the floor from the windows. The cathedral isn’t a stranger to sculpture, The Water of Life has sat in the cloister courtyard for twenty or so years.
The fun finishes outside with more sculptures in the grounds, this is Eilis O’Connel’s Capsule for Destinies Unknown which reminded Mrs SomeBeans of silverfish. I like the juxtaposition of the picnickers and the Georgian cathedral precinct buildings.
Thinking back the only art I’ve previously appreciated to this level has been land art around Grizedale Forest Park where again the art picks up its surroundings.
You can see all my photos online here, I’ll try to label them over the next few days.
Go see this! We’re definitely going again.
About
I've worked as a scientist for the last 30 years, at various universities, a large home and personal care company, a startup in Liverpool called The Sensible Code Company (formerly ScraperWiki Ltd), GBG and now as a consultant in data science.
I write about:
* the books I have read, typically science and history (or both), partly as a reminder to myself and partly as a review;
* science, things I have done or things I find interesting;
* technology, programming and gadgets;
politics, and current affairs;
* ...and other stuff as it takes my fancy - holidays, photographs and things I want to remember.